The second section presented a series of works inspired by Cage. Of particular note were Hans W Koch's a qubit of emotion and Claudio Molitor's Paper cut - a homage to Cage (and Beethoven of course). The latter included (amongst other things) prepared scores cut into fringes which were rustled by the players during the performance.
The final part was a performance of Concert for piano and orchestra. Baffling stuff, although presumably not as baffling as it was in 1958. I'm not quite sure what the conductor was doing, given that the performers were more or less doing their own thing. Enjoyable, but I was pleased when it ended: my head was reeling from a week's worth of contemporary music.
I'll give it a day or two to sink in and then summarise my festival...
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